The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. In Asia, call 852-2893-4290. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. In my opinion, if budget allows, stretch to a KSM9. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. The mic has a dual-diaphragm 19.8mm OD electret condenser capsule, with diaphragms mounted 3.7mm apart. DUAL DIAPHRAGM TECH. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. Are there any favorites on the Sennheiser end of things? There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Good Luck! Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. The Neumann KMS 105, on the other hand, is a more affordable option that still provides great sound quality. The capsules that see most demand are beta58s and KSM9s. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. On the surface this mic looks very similar, with the same sleek design. It is intended for vocal use. 25 Feb/23. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications. Shure Tech Portal open_in_new. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. Off-axis frequency response is very smooth. Theres no on/off switch on the KSM9 or any of the Shure KSM range. How careful do you have to be in handling? 1.93 in. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. They even look similar, with tapered handles and squareish divided metal grilles. SM86 is Shure's best compromise. A dynamic microphone revolution that only Shure could stage. The dent-resistant mesh grille is constructed from a hardened carbon-steel wire and permanently lined with a hydrophobic fabric. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. But theres one major difference between these two mics. The triple grille pop-shield handles plosives well, whereas the dual diaphragm design is very effective at reducing the proximity effect. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. KSM8 is a dynamic with a darker tone. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. Don't Let Dirty Power Ruin Your Recordings. Basic Analog Systems. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. Meet the KSM8 of house Shure, Inc., the Valyrian steel sword in my arsenal. All rights reserved. PR35 has a lot of fans. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. Did you mean the KSM9? And crucial for live use, the built-in advanced suspension shock mount offers good insulation from handling noise and rumble. Bath Find An Answer Browse our vast Answer database for answers to many common technical questions. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. There are no user-serviceable parts inside. email Sign up for our Newsletter; Shure Incorporated, 5800 West Touhy Avenue Niles, IL 60714 . But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. At the rear of the diaphragm the acoustic combination of these separate signals with altered phases and amplitudes results in an accurate cardioid polar pattern with a greatly reduced proximity effect. For a better experience, please enable JavaScript in your browser before proceeding. I think the champagne looks very chic! KSM8. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. Therefore, if you can afford this mic, go ahead and start digging that difference. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. He is always eager to try new creative endeavors and uses them as inspiration in her writing. SHURE KSM9/CGShure118800! The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. . Ultimately they often sound better. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. KSM8/N: Superior dual-diaphragm dynamic microphone with a brushed-nickel finish. DuPont de Nemours and Company in the United States. Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . Thank you for selecting the KSM series from Shure. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. Polar Pattern Frequency Response 500 Hz 250 Hz 1,000 Hz 6,400 Hz 9,000 Hz 2,500 . Microphone sound absorption and reflection. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. The Shure KSM9 is a great choice as a live mic. BACK. I work with a female vocalist who is looking to upgrade her microphone. Jan 28, 2013. Single vs. Dual-diaphragm frequency response. Thats a tough one. They must maintain this distance in order to avoid variations in tone. Both the SM57 and SM58 are favoured for their workhorse-like reliability and durability. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. Its worth noting that the E965 is a bit cheaper than the KSM9. You may use these HTML tags and attributes:

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